Hello everyone. This is the first post in a three post series about basic stereo recording techniques. The series is made of a few chapters, which have been split across three posts. Some will be longer than others, but it should be a nice way to present the topic as you can bookmark specific chapters, if you like.
This post describes how the stereo image is created and how it relates to our hearing systems. Post 2 highlights a number of sonic aspects of the stereo image which should be considered when recording and also when mixing. In terms of recording, Post 3 outlines the different categories of stereo recording arrays and some examples.
Overall, this guide aims to take readers through the creation, manipulation and recording of the stereo image across a variety of musical genres. It should be treated as a primer. Recommended reading will be suggested throughout the series. If you have any questions or you spot any errors, do not hesitate to get in touch with me at firstname.lastname@example.org.